THE POWER OF A WRITER

A couple of years back, like many, I was glued to my TV screen with a cuppa and a scone. As the credits rolled, so did the tears. I was a fairly new writer, and understood the power the written word posessed. I had just finished watching the last episode of Season Three in the saga of "Downton Abbey", the wildly popular BBC series focusing on the privileged and not-so-privileged.

What we learned throughout the ongoing story was this: when it comes to disasters, it doesn't matter who you are or how much money you make — they happen to everyone, regardless of status.

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Even though we were reminded of that truth during each episode, it wasn't until I viewed the final scene that it hit me like a monsoon. It was almost too much to bear. Just when I was reveling in the "happily ever after" scene, it happened. I couldn't believe it! I felt cheated. And slightly depressed.

Those of you who have seen it know what I mean. Did the writer want to add a wicked twist to the plot? Did the actor want out? If so, could I have obliged? For whatever reason, the results did not sit well with me.

Then, almost immediately, I began to think of myself and my role as a writer. I, too, have that power. The power to write in or write out characters at will. I realized I would have found difficulty in writing a scene so tragic. So unpredictable. So unwanted.

But that is the beauty of being a writer. I don't have to write scenes that lead to despair. And if I did, one thing is for sure — they would lead eventually to good. There would be a reason. All would work out in the end. It would give my readers hope. Because we all need hope in these days of uncertainty. And I know that my hope is in God, who does work all things together for good.

Those of you who are avid fans, what do you think? Did all things work out for good in the final season of "Downton Abbey"? That was Julian Fellowes prerogative. He held the pen.

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How would you have written the ending?